From The Harder They Come to Yardie: The Ghetto-Reggae Aesthetics of the Jamaican Urban Crime Film

Emiel Martens

doi:10.1080/1369801X.2019.1659160

From The Harder They Come to Yardie: The Ghetto-Reggae Aesthetics of the Jamaican Urban Crime Film

Emiel Martens

Department of Arts and Culture Studies

Research output: Contribution to journal › Article › Academic › peer-review

3 Citations (Scopus)

17 Downloads (Pure)

Original language	English
Pages (from-to)	71-92
Number of pages	22
Journal	Interventions: international journal of postcolonial studies
Volume	20
Issue number	1
DOIs	https://doi.org/10.1080/1369801X.2019.1659160
Publication status	Published - 23 Sept 2019

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From The Harder They Come to Yardie: The Ghetto-Reggae Aesthetics of the Jamaican Urban Crime Film

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