Milestones in music: Reputations in the career building of musicians in the changing Dutch music industry

Rick Everts*, Pauwke Berkers, Erik Hitters

*Corresponding author for this work

Research output: Contribution to journalArticleAcademicpeer-review

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Abstract

This study addresses the role of reputation in the career building strategy of early-career musicians in a transforming music industry. Drawing from interviews with 21 musicians, we find that musicians continue to believe that building their reputations within the established music industry is important for career success, despite technological changes that could lead them to focus instead on alternative career strategies. Our analysis proceeds in two stages that broadly reveal how market culture shapes workers' strategies. First, we discuss how musicians put considerable effort towards achieving particular career milestones that they believe will signal success to industry intermediaries. Second, we show that new technologies that connect artists directly to audiences without the need for intermediaries have allowed musicians to pursue new career building strategies. However, they have not eliminated musicians' belief in appealing to industry insiders through milestones. Even though achieving industry milestones may not lead to immediate economic benefits, musicians pursue them because (1) they believe that backing from industry intermediaries may result in later success and (2) they value the symbolic appeal and romance of being part of the industry.

Original languageEnglish
Article number101647
Pages (from-to)1-11
Number of pages11
JournalPoetics
Volume92
DOIs
Publication statusPublished - 20 Jan 2022

Bibliographical note

Acknowledgements:
We thank the reviewers for their constructive contributions. The study upon which this work draws was supported as part of the project Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities (POPLIVE) by the Netherlands Organisation for Scientific Research (NWO) and the Taskforce for Applied Research (NRPO-SIA) [grant number 314?99?202, research programme Smart Culture - Arts and Culture]. Partners in this project are Mojo Concerts and The Association of Dutch Pop Music Venues and Festivals (VNPF).

Publisher Copyright:
© 2022 The Author(s)

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