Paris Offscreen: Chinese and Taiwanese Tourists in Cinematic Paris

Yun An Olivia Dung*, Stijn Reijnders

*Corresponding author for this work

Research output: Chapter/Conference proceedingChapterAcademic

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Abstract

This chapter examines from a European-Asian perspective the relationship between media representations and the tourist’s imaginations. We use the case of Chinese and Taiwanese tourists in Paris to investigate how these non-European tourists imagine Europe and how these imaginations are being realised, challenged and modified during concrete tourist experiences. Drawing on semi-structured interviews with tourists and field observations, this chapter shows how both the Chinese and Taiwanese tourist imagination of Europe is strongly influenced by popular representations from the media – American Hollywood films in particular. As it turns out, the Chinese and Taiwanese tourist experience of Paris is characterised by an ongoing negotiation between media-inspired fantasies and personal experiences of the ‘real’ Paris. As a result of this, the way these tourists imagined Europe before their visit is reinforced, but also challenged. Chinese and Taiwanese tourists tend to develop a hybrid perspective: they learn Paris in its complexity while reconstituting their own cultural identity vis-a-vis the European other.

Original languageEnglish
Title of host publicationFilm Tourism in Asia
Subtitle of host publicationEvolution, Transformation, and Trajectory
EditorsSangkyun Kim, Stijn Reijnders
PublisherSpringer
Chapter13
Pages203-219
Number of pages17
Edition1
ISBN (Electronic)978-981-10-5909-4
ISBN (Print)978-981-10-5908-7, 978-981-13-5520-2
DOIs
Publication statusPublished - 2018

Publication series

SeriesPerspectives on Asian Tourism
VolumePart F179
ISSN2509-4203

Bibliographical note

Publisher Copyright:
© 2018, Springer Nature Singapore Pte Ltd.

Research programs

  • ESHCC A&CS

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