Post-Media Activism, Social Ecology and Eco- Art, 2013

Christoph Brunner, Roberto Nigro, Gerald Raunig

Research output: Chapter/Conference proceedingChapterAcademic

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Abstract

In his essay The Three Ecologies published in 1989 Félix Guattari invents an ‘eco’-art (art de ‘l’éco’).1 This concept can be misunderstood in several ways.
First, one might think of eco-art as ‘green art’, as art of the Green movement or a Green party. Conceiving of such art simply as an effect of a new ideology
constitutes a problematic and instrumentally restricted relation between art and (environmental) politics – be it green politics as a single-issue case or as holistic
mythologies of nature. Second, another possible problem resides in a specific form of oiko-logy, connoting the domestication, the domestic capture of artistic
praxis. And, third, there is the danger of an art-life cliché following on from the bumpy genealogy from Richard Wagner to Joseph Beuys. Inherent to all these
misinterpretations of the Guattarian eco-art is an identitarian or moralistic projection of a full, complete and uniform community.
Original languageEnglish
Title of host publicationDocuments of Contemporary Art
Subtitle of host publicationActivism
EditorsAfonso Dias Ramos and Tom Snow
Pages186-189
ISBN (Electronic) 978-0-85488-315-8, 978-0-262-37650-1
Publication statusPublished - 24 Oct 2023

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