Abstract
Visiting the settings of popular media products has become a growing niche within the tourist market. This paper provides a content-based explanation for the popularity of one specific example: the TV detective tour. Three popular TV series from different linguistic regions of Europe were analyzed, each of which has led to substantial tourist numbers: Inspector Morse (Oxford), Wallander (Ystad) and Baantjer (Amsterdam). The results show that the tourist attraction of the TV detective program is due in part to its topophilic character. First, 'couleur locale' is extremely important to the narrative setting of the detective programs; the narratives elaborate on existing tourist gazes. Second, the narrative development is characterized by a process of investigation and tracking. By taking the tour, viewers can walk in the detective's footsteps and relive the storylines. Finally, the TV detective genre promises the viewer/tourist an acquaintance with the thrilling, 'guilty' landscapes of the TV detective.
| Translated title of the contribution | Watching the detectives. Inside the guilty landscapes of Inspector Morse, Baantjer and Wallander |
|---|---|
| Original language | Dutch |
| Pages (from-to) | 118-132 |
| Number of pages | 15 |
| Journal | Tijdschrift voor Communicatiewetenschap (print) |
| Volume | 37 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2009 |
| Externally published | Yes |
Research programs
- ESHCC A&CS