You are what you (co)curate: A participatory approach to fashion curation in the digital world. Teaching Case and Teaching Notes

F White; J Stefanova; TF Yu; SP Weng; Mariangela Lavanga; Ben Wubs; Carla Gatt

You are what you (co)curate: A participatory approach to fashion curation in the digital world. Teaching Case and Teaching Notes

F White, J Stefanova, TF Yu, SP Weng, Mariangela Lavanga, Ben Wubs, Carla Gatt

Research output: Memorandum/exposition › Teaching case › Academic

Abstract

The digitisation of cultural heritage started more than 20 years ago and brought about a few changes in the way culture is being produced, consumed, and perceived. Initially, this process aimed at taking out the cultural artefacts, which were stuck in the dusty galleries, libraries, archives, museums, and bringing them closer to both professionals from the creative industries and non-professionals. Nevertheless, this approach is rather difficult because even though there is a huge amount of already digitised cultural heritage, those resources are not used that much, especially in the segment of fashion heritage. What is the importance and the relevance of a digitised cultural heritage? How can both the organisation and its users benefit from it? Keywords: European Fashion Heritage Association, GLAMs- Galleries, Libraries, Archives, Museums, Digitised Cultural heritage, Artefacts, Online Platform, stakeholder engagement, curation, partnerships, networks

Original language	English
Number of pages	9
Project No.	820-0075-1
Finished	13/10/20
Publication status	Published - 13 Oct 2020

Publication series

Series	RSM Case Development Centre
Number	820-0075-1

Bibliographical note

Follow the 'handle' link to access the Case Study on RePub.
For EUR staff members: the Teaching Note is available on request, you can contact us at rsm.nl/cdc/contact/

Research programs

ESHCC A&CS
ESHCC HIS

Series

RSM Case Development Centre

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

https://www.thecasecentre.org/products/view?id=172859

Cite this

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AU - Weng, SP

AU - Lavanga, Mariangela

AU - Wubs, Ben

AU - Gatt, Carla

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N2 - The digitisation of cultural heritage started more than 20 years ago and brought about a few changes in the way culture is being produced, consumed, and perceived. Initially, this process aimed at taking out the cultural artefacts, which were stuck in the dusty galleries, libraries, archives, museums, and bringing them closer to both professionals from the creative industries and non-professionals. Nevertheless, this approach is rather difficult because even though there is a huge amount of already digitised cultural heritage, those resources are not used that much, especially in the segment of fashion heritage. What is the importance and the relevance of a digitised cultural heritage? How can both the organisation and its users benefit from it? Keywords: European Fashion Heritage Association, GLAMs- Galleries, Libraries, Archives, Museums, Digitised Cultural heritage, Artefacts, Online Platform, stakeholder engagement, curation, partnerships, networks

AB - The digitisation of cultural heritage started more than 20 years ago and brought about a few changes in the way culture is being produced, consumed, and perceived. Initially, this process aimed at taking out the cultural artefacts, which were stuck in the dusty galleries, libraries, archives, museums, and bringing them closer to both professionals from the creative industries and non-professionals. Nevertheless, this approach is rather difficult because even though there is a huge amount of already digitised cultural heritage, those resources are not used that much, especially in the segment of fashion heritage. What is the importance and the relevance of a digitised cultural heritage? How can both the organisation and its users benefit from it? Keywords: European Fashion Heritage Association, GLAMs- Galleries, Libraries, Archives, Museums, Digitised Cultural heritage, Artefacts, Online Platform, stakeholder engagement, curation, partnerships, networks

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You are what you (co)curate: A participatory approach to fashion curation in the digital world. Teaching Case and Teaching Notes

Abstract

Publication series

Bibliographical note

Research programs

Series

UN SDGs

Access to Document

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Cite this